The ending bumped my four stars to four and a half. It's a brilliant take on alcoholism, demanding parental approval, homoeroticism, descent into madness, and fall from grace with some much mythology flavoring topped by watching a world class head chief who's seems to be the only one who knows how to do it all to perfection along with his co-chiefs supporting it all.

I sincerely enjoy two-person films with deep, heavy dialogue. These types of movies remind me of plays and, for them to be good, asks everything of the actors involved. This movie takes that a step further by adding great artistic visuals; and with the combination of the acting and cinematography, the audience is able to experience something dark and chilling implicitly, in both the second and third acts, as we explore areas of madness in the human mind.

고전적인 연출과 현대적인 연출, 클래식한 대사와 모던한 대사들의 대비로 나타내는 진실인지 거짓인지, 환상인지 현실인지 모르는 희미한 그 경계사이에서 나오는 서스펜스 넘치면서 같이 미쳐가는 한편의 페이소스