Copying Beethoven

A fictionalised exploration of Beethoven's life in his final days working on his Ninth Symphony. It is 1824. Beethoven is racing to finish his new symphony. However, it has been years since his last success and he is plagued by deafness, loneliness and personal trauma. A copyist is urgently needed to help the composer. A fictional character is introduced in the form of a young conservatory student and aspiring composer named Anna Holtz. The mercurial Beethoven is skeptical that a woman might become involved in his masterpiece but slowly comes to trust in Anna's assistance and in the end becomes quite fond of her. By the time the piece is performed, her presence in his life is an absolute necessity. Her deep understanding of his work is such that she even corrects mistakes he has made, while her passionate personality opens a door into his private world.
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Soundtrack Info

Grosse Fuge in B-Flat Major, Op. 133

"Seid Umschlungen, Millionen"

Piano Sonata No. 5 in C minor, Op. 10 No. 1: 3. Finale (Prestissimo)

Sonata No. 7 in C Minor, Op. 30 No. 2: III. Scherzo, Allegro

Symphony No. 9 in D Minor, Op. 125 - "Choral": III. Adagio molto e cantabile

String Quartet No. 9 in C Major, Op. 59 No. 3 "Rasumovsky No. 3": II. Andante con moto quasi allegretto
살포시
4.0
베토벤 합창을 보면서 든 생각이, 이 직접 들을 때 느껴지는 전율은 베토벤은 느끼지 못했겠지. 그게 공연이 끝나고 집에 올 때까지 마음에 남았다. 어쩌면 들리지 않았기 때문에 남길 수 있었던 인류의 명곡일 수도 있다. 들리는 사람이라면, 저렇게까지 꿈결같은 음악은 못했을 수도 있다고 생각한다. 그래도 꼭 한번은 베토벤이 두 귀로 직접 듣고 흐뭇했다면 좋겠다.
jeremy
3.0
결국 불멸에 이르지못한 바이오그래피
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