While dining out with friends, Sy suggests the difficulty of separating comedy from tragedy. To illustrate his point, he tells his guests two parallel stories about Melinda ; both versions have the same basic elements, but one take on her state of affairs leans toward levity, while the other is full of anguish. Each story involves Melinda coping with a recent divorce through substance abuse while beginning a romantic relationship with a close friend's husband.
第28回釜山国際映画祭オープニング作品❗️
『ケナは韓国が嫌いで』都度課金開始✈️
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第28回釜山国際映画祭オープニング作品❗️
『ケナは韓国が嫌いで』都度課金開始✈️
WATCHAストア