A Train Arrives at the Station

![[광고] 위기브 고향사랑기부제 보드배너](https://an2-img.amz.wtchn.net/image/v2/30n2nHWSAw51zVsHKabnBg.png?jwt=ZXlKaGJHY2lPaUpJVXpJMU5pSjkuZXlKd0lqb2lMM1l5TDNOMGIzSmxMM0J5YjIxdmRHbHZiaTh4TlRBeU9USTRPRE14T1RJek9EUTNOU0o5LnJhWnI0MTlmU3o2TFBzZVVyemhLQksxRjdUZG1GMkZMYkJiWWhYVWR1cmM=)
![[광고] 위기브 고향사랑기부제 보드배너](https://an2-img.amz.wtchn.net/image/v2/eG_9e_QNuoozo-T-wRT1vw.png?jwt=ZXlKaGJHY2lPaUpJVXpJMU5pSjkuZXlKd0lqb2lMM1l5TDNOMGIzSmxMM0J5YjIxdmRHbHZiaTh4TURReE56ZzBNemd6TlRFM09UUTVNU0o5Lk5oMmExaFA3U3JLeVVpZWdRbl9ET0NjSzRQMVczWExMV2RDVUR6eFVRcU0=)
“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”
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